Mt. Holz Science Fiction Society
01/01/20 -- Vol. 39, No. 27, Whole Number 2152
Co-Editor: Mark Leeper, *mleeper@optonline.net *
Co-Editor: Evelyn Leeper, *eleeper@optonline.net *
Sending Address: *evelynchimelisleeper@gmail.com
*
All material is the opinion of the author and is copyrighted by the
author unless otherwise noted.
All comments sent or posted will be assumed authorized for
inclusion unless otherwise noted.
To subscribe or unsubscribe, send mail to *eleeper@optonline.net
*
The latest issue is at *http://www.leepers.us/mtvoid/latest.htm
http://www.leepers.us/mtvoid/latest.htm*.
An index with links to the issues of the MT VOID since 1986 is at
*http://leepers.us/mtvoid/back_issues.htm
http://leepers.us/mtvoid/back_issues.htm*.
Topics:
Apologies for Missing Date in Last Week's Email Subject Line
(comments by Evelyn C. Leeper)
Mark Leeper's Top Ten Films List Delayed (comments
by Evelyn C. Leeper)
Mini Reviews, Part 2 (DA 5 BLOODS, THE BANKER, ANTEBELLUM,
MISS JUNETEENTH) (film reviews by Mark R. Leeper)
Year of the Animals (comments by Evelyn C. Leeper)
ROBOT ARTISTS & BLACK SWANS: THE ITALIAN FANTASCIENZA STORIES
by Bruce Sterling (book review by Joe Karpierz)
THE PROFESSOR AND THE MADMAN (letters of comment
by Fred Lerner and Paul Dormer)
TIME's 100 Best Fantasy Books and Western Porn
(letter of comment by Robert Woodward)
The 50-Foot Woman (letter of comment by Kevin R)
This Week's Reading (Jorge Luis Borges's OBRAS COMPLETAS)
(book comments by Evelyn C. Leeper)
===================================================================
TOPIC: Apologies for Missing Date in Last Week's Email Subject Line
(comments by Evelyn C. Leeper)
Apologies for the missing date in the subject line of last week's
MT VOID, and to the delay in the PDF version.
You see, at 2AM Christmas morning we awoke to red and blue flashing
lights in front of our house, and constant sparking from the power
line behind it. When I went outside to ask what was happening, the
firefighter said they were waiting for JCP&L to cut the power
before they could fix anything.
So I immediately came back in and decided to send out the VOID (at
2AM!) before we lost power. In my rush, I forgot to fill in the
Subject line completely, and before I could send out the PDF, the
power went out.
It did not come back until late Saturday night. But since I got
95% of the MT VOIDs sent out on Friday, I am going to stand by my
claim that we haven't yet missed a Friday mailing. [-ecl]
===================================================================
TOPIC: Mark Leeper's Top Ten Films List Delayed (comments by Evelyn
C. Leeper)
Because of the disruption of the film release schedule, and hence
the awards season (which is when many of the better films are made
available, Mark's "Top Ten Films of 2020" will have a couple of
changes. First, it will appear later than usual (probably in
February). Second, it will almost definitely include some films
from late 2019 that were not seen by him until 2020. Mark tries to
stick to calendar years but it makes more sense to point out good
films from 2019 than mediocre ones from 2020, and the films from
2020 do not include most of the high-quality films that had been
scheduled for it. [-ecl]
===================================================================
TOPIC: Mini Reviews, Part 2 (film reviews by Mark R. Leeper)
Here is the second batch of mini-reviews, African-American dramas,
including a guest review by Evelyn.
DA 5 BLOODS: This Spike Lee action and adventure film of four
Vietnam vets returning to Vietnam in a sort of "Treasure Island"
story seems to drag on a long time for a two-and-a-half hour film.
It does have many clever film allusions. Overall, a large-scale
production with gritty views of Vietnam people and countryside.
Released 06/12/20; available on Netflix streaming.. Rating: high
+2 (-4 to +4)
THE BANKER: This story of African-American men in the South in the
1950s and 1960s being successful financiers is probably one of the
best films of the season. The details about the finances are
enjoyable and the characters interesting until the film's
complexities damage some of the fun. Released 03/20/20; available
on AppleTV+. Rating: +2 (-4 to +4)
ANTEBELLUM: This is yet another plot with a modern African-
American returned to pre-Civil War days. (The best-known of these
is probably Octavia Butler's book KINDRED.) But as the film
progresses, the twists and turns of plot will become harder to
guess. This is from the same company (QC Entertainment) that
produced GET OUT, BLACKkKLANSMAN, and US. Released 09/18/20;
available on DVD (including Netflix) and Amazon Prime. Rating:
high +1 (-4 to +4)
[-mrl]
MISS JUNETEENTH: This story of an African-American beauty pageant
has a nice small town setting. The Juneteenth Pageant is
apparently the high point of the year for the high school girls.
But I find myself asking, why is it so expensive for these girls,
many of whom are from working-class homes that cannot even pay the
electric bill, and who need the full scholarship to go to college,
to enter a beauty pageant? Released 01/24/20; available on Amazon
Prime. Rating: +1 (-4 to +4) [-ecl]
===================================================================
TOPIC: Year of the Animals (comments by Evelyn C. Leeper)
We started the year with locusts, funnel spiders, invasive
hippopotamuses, and iguanas falling from trees. We continued with
murder hornets. We close with feral Vietnamese pot-bellied pigs
wreaking havoc in Puerto Rico (which has had its own set of
disasters this year):
*https://www.nbcnews.com/news/latino/feral-pigs-flummox-puerto
https://www.nbcnews.com/news/latino/feral-pigs-flummox-puerto*-
rico-invading-communities-reproducing-rapidly-n1252338
[-ecl]
===================================================================
TOPIC: ROBOT ARTISTS & BLACK SWANS: THE ITALIAN FANTASCIENZA
STORIES by Bruce Sterling (copyright 2021, Tachyon Publications,
$25.95 hardcover, ISBN 978-1-61696-329-3, $9.99 digital format,
ISBN 978-1-61696-330-9) (book review by Joe Karpierz)
I will have to admit that I've not read much of Bruce Sterling's
work. I read THE DIFFERENCE ENGINE, of course; as much I was not a
fan of cyberpunk back in the day (and to this day I don't know how
I feel about it--after all, I still haven't read the most
influential of all cyberpunk novels, NEUROMANCER, a book that
changed the field of SF forever and made William Gibson a
household name), I couldn't resist checking out the pairing of two
of the most famous writers of cyberpunk back then. I also read
Hugo nominee ISLANDS IN THE NET, but that really was about it. So
yeah, it's been 30 years since I've read any Bruce Sterling, at
least that I know of.
Robot Artists (I'm going to shorten the title because typing the
full title multiple times just gets in the way) is a collection of
Sterling's Italian themed science fiction. In order to tie the
stories together, the reader is introduced to Sterling's alter ego,
Bruno Argento, Italy's famed writer of "fantascienza". (Yes, I did
look it up, as I was unfamiliar with the term, even though one can
figure out what it means just by looking at it.) ROBOT ARTISTS,
then, is a collection of stories by Bruno Argento.
Several of the stories were indeed published in the Italian market,
which surprised me at first. There are introductions by both Neal
Stephenson (speaking of cyberpunk royalty) and Bruno Argento
himself. As of this writing I'm still not sure whether Sterling
actually publishes in Italy under the Bruno Argento name or if this
is a marketing tactic--and I guess that's the point, isn't it?
I have a couple of favorite stories in the collection. "Black
Swan", the story of a technology blogger who encounters a hacker
who may have discovered the existence of a Black Swan, something
that could affect the balance of world governmental powers. But is
it just that, or is it something more involved, something more
complex? The blogger and the hacker travel to different versions
of Italy, while Luca (the blogger) has to determine if he wants to
write about what Massimo (the hacker) has shown him. It's
something of an ethical decision, and something of a, well, moral
decision.
The other story that is a favorite is the last story in the
collection, "Robot in Roses". On the surface, the story is about
one Wolfgang of Nuremburg, who is charged with following around the
world a Japanese robotic wheelchair named Winkler, which is an
artist. Wolfgang catalogs every place Winkler goes and every piece
of art it creates. Things get complicated when he encounters Dr.
Jetta Kriehn, who wants to destroy Winkler. The story rapidly
turns into a dialog about art and science and everything in
between. It's really a lot of fun. I enjoyed it quite a bit.
Another story I enjoyed is "Esoteric City", in which time is up for
Achille Occhietti. As a result of his dark arts, he is sentenced
to Hell, which just happens to be conveniently located beneath
Turin. Before he meets with Satan--in Occhietti's back yard,
because he had to leave Hell to at least attend his wife birthday
party--he retrieves the Holy Grail for his final encounter with
Satan. Enjoyable stuff.
Other stories include "The Parthenopean Scalpel", wherein an
assassin falls in love with a two headed woman, and bombs are
involved; "Kill the Moon", a short and silly tale of an Italian
bemoaning the fact that his country is the only one going to the
moon, and doesn't everyone see the silliness of it all? In
"Elephant On Table", Tullio and Irma are caretakers of a Shadow
House, whose owner, the Chief, pops in every once in a while for
cards and games and such. Of course, there is much more to it than
that, including the usual elephant on the table; and "Pilgrims of
the Round World", a story of the closing of the Inn of Saint
Cleopha (who herself is kept in a jar) in Turin. Along the way we
have royalty, armies, wars, inept queens, and all sorts of unusual
elements.
A lot of punch is packed into these seven stories. I didn't know
what to expect out of this collection, but in the end I was
thoroughly entertained. If Bruno Argento does indeed exist, then
the residents of Italy are lucky to have him. [-jak]
===================================================================
TOPIC: THE PROFESSOR AND THE MADMAN (letters of comment by Fred
Lerner and Paul Dormer)
In response to Evelyn's comments on THE PROFESSOR AND THE MADMAN in
the 12/25/20 issue of the MT VOID, Fred Lerner writes:
I'm having trouble with this paragraph from today's MT VOID:
"And Murray also helped, merely by thinking about the process. The
editor had volunteers reading from a list of books, sending in
quotations for whatever words they thought worthwhile. Copying the
quotations in a standard format took a long time, and often words
were skipped that would have been useful. Murray took a two-step
approach. He *indexed* each book in a booklet, jotting down all
the words that might be of use, along with the page number, and did
this in such a way that it was in alphabetical order. When he had
a few of these, he wrote Murray, explaining his method, and asking
what words Murray could use quotations for right away. Then he
needed merely to look them up and copy those quotations. This
meant he was not wasting his time copying quotations for words that
would not be worked on for years, while Murray struggled with other
words than he could help out with." [-ecl]
Evelyn responds:
That's because I completely mucked it up. Let me try again:
"And Minor [the Madman] also helped, merely by thinking about the
process. Murray [the Professor and editor] had volunteers reading
from a list of books, sending in quotations for whatever words they
thought worthwhile. Copying the quotations in a standard format
took a long time, and often words were skipped that would have been
useful. Minor took a two-step approach. He *indexed* each book in
a booklet, jotting down all the words that might be of use, along
with the page number, and did this in such a way that it was in
alphabetical order. When he had a few of these, he wrote Murray,
explaining his method, and asking what words Murray could use
quotations for right away. Then he needed merely to look them up
and copy those quotations. This meant he was not wasting his time
copying quotations for words that would not be worked on for years,
while Murray struggled with other words than he could help out
with." [-ecl]
And Paul Dormer writes:
That book was published in the UK as THE SURGEON OF CROWTHORNE.
Haven't read it, but Winchester did a follow-up called THE MEANING
OF EVERYTHING, which I have read, a history of the dictionary
including a chapter or two on the ongoing effort to keep the
dictionary up to date.
I see the film is available on Amazon Prime in the UK. Might look
it up. (I might have less problem with accents.)
Some years ago, I was sent by work to go on a course in Bracknell,
which is near Crowthorne. During the opening session of the course
we got the usual details of what to do in an emergency. The
building had two different alarms. One was the fire alarm and you
had to evacuate. The other alarm meant someone had escaped from
Broadmoor and you had to stay inside. [-pd]
===================================================================
TOPIC: TIME's 100 Best Fantasy Books and Western Porn (letter of
comment by Robert Woodward)
In response to Taras Wolansky's comments on TIME's 100 best fantasy
books in the 12/25/20 issue of the MT VOID, Robert Woodward writes:
[Taras writes,] "#2144: ... Darrell said Neil Gaiman had given the
editors an erudite list of suggestions, including Hope Mirrlies'
classic LUD-IN-THE-MIST, but they had ignored it." [-tw]
I had wondered about why LUD-IN-THE-MIST didn't show up in that list.
And in another response:
[Taras writes,] "Sheila Williams ... told us prisoners used to
be avid readers of porn Westerns." [-tw]
Re IIRC, when I was in college (c. 1970), somebody showed me a
paperback that he claimed was gay Western porn (I didn't check the
text). [-rw]
===================================================================
TOPIC: The 50-Foot Woman (letter of comment by Kevin R)
In response to Taras Wolansky's comments on the 50 Foot Woman in
the 12/25/20 issue of the MT VOID, Kevin R writes:
[Taras writes,] "#2145: The 50-Foot Woman makes another memorable
appearance, voiced by Reese Witherspoon in the 2009 animated hit,
MONSTERS VS. ALIENS, a ove letter to several classic cinematic
monsters. Reduced to normal size by an invading alien overlord,
she chooses to become giant again to help defeat the invasion;
introducing a poignant subtext the kids didn't get, as she gives up
any chance of a normal life." [-tw]
To be fair, Susan is an inch shy of 50 feet. :-)
*https://monstersvsaliens.fandom.com/wiki/Ginormica
https://monstersvsaliens.fandom.com/wiki/Ginormica*
[-kr]
===================================================================
TOPIC: This Week's Reading (book comments by Evelyn C. Leeper)
I'm still binging Solar Pons, but have progressed to the volumes by
Basil Copper. I can't notice any decrease in quality, so I'm
chugging along quite happily.
But I am really doing the happy dance over getting Jorge Luis
Borges's OBRAS COMPLETAS (Emece, ISBN 9-500-40217-3), an 1161-page
tome, for under four dollars! Okay, it's not truly complete,
though its omissions are not as egregious as those of THE COLLECTED
POEMS OF EMILY DICKINSON. In the case of the Borges, the volume is
labeled "1923-1972", so anything more recent than 1972 would not be
included(*). But, alas, other works are missing, e.g., the 1950
"Aspectos de la literatura gauchesca", the 1928 "La idioma de los
argentinos", and the 1926 "El tamano de mi esperanza". Most
distressing is the omission of the 1957 "El libro de los seres
imaginarios" ("The Book of Imaginary Beings"), but that is at least
justifiable, since it is a collaboration with Margarita Guerrero
and is in a later 1989 volume of collaborations. Still, this first
volume does include several early books that have been hard to
find, at least until the Spanish publisher Alianza's recent series
of Borges paperbacks.)
(*) There is a supplementary volume, OBRAS COMPLETAS 1975-1985.
That was published while the first volume covered 1923-1972, so it
is indicated as volume two of the set. It looks as though when a
volume of collaborations was also published, the first volume was
split into two separate books, OBRAS COMPLETAS 1923-1949 and OBRAS
COMPLETAS 1952-1972, so as to have volumes of approximately equal
size, and OBRAS COMPLETAS 1975-1985 became volume three. And there
also seems to be a volume four (ISBN 978-9-500-40848-6) which seems
almost identical to the collection MISCELANEA I reviewed a few
years ago. At least, I think everything I just said is accurate,
but it is not exactly straightforward.
At any rate, there are a lot of pieces I haven't seen before so
this should keep me busy for a while, There are fifteen books
included in this volume: "Fervor de Buenos Aires", "Luna de
enfrente", "Cuaderno San Martin", "Evaristo Carriego", "Discusion",
"Historia universal de la infamia", "Ficciones", "El Aleph", "Otras
inquisiciones", "El hacedor", "El otro, el mismo", "Para las seis
cuerdas", "Elogio de la sombra", "El informe de Brodie", and "El
oro de los tigres". If I review this, it will probably be the same
way I did MISCELANEA by Borges--one included book at a time.
[-ecl]
===================================================================
Mark Leeper
*mleeper@optonline.net *
Who kicks a dog kicks his own soul towards hell.
--Will Judy