Mt. Holz Science Fiction Society

05/21/21 -- Vol. 39, No. 47, Whole Number 2172

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THE DONUT KING (comments by Evelyn C. Leeper)

Spanish-Language DRACULA (1931) Compared to the Classic

Lugosi Version (pointer)



by Mark R. Leeper)

A HOLE IN THE SKY by Peter F. Hamilton (audiobook review

by Joe Karpierz)

PIRANESI by Susanna Clarke (book review by Joe Karpierz)

UNTIL THE END OF TIME by Brian Greene (book review

by Gregory Frederick)

Status Update (comments by Evelyn C. Leeper)

Status, Smartphones, and Recent Reading (letter of comment

by John Purcell)

This Week's Reading (Sherlock Holmes) (book comments

by Evelyn C. Leeper)


TOPIC: THE DONUT KING (comments by Evelyn C. Leeper)

THE DONUT KING, a documentary that Mark reviewed in the 04/02/21

issue of the MT VOID, will be run on Channel Thirteen in New York

(and possibly other PBS stations) on Monday, May 24, at 10PM.



TOPIC: Spanish-Language DRACULA (1931) Compared to the Classic

Lugosi Version (pointer)

A half-hour study, worth seeing: **


TOPIC: Mini Reviews, Part 17 (film reviews by Mark R. Leeper)

Here is the seventeenth batch of mini-reviews, three dramas.

PROMISING YOUNG WOMAN: In this thriller, a 20-something woman looks

to find revenge on acquaintances (and others) from her past for

incident years before.  At times the music overpowers the dialogue,

but the twists and turns will keep you involved.  Released

12/25/20; available on Amazon Prime and on DVD.  Rating: low +3

(-4 to +4)

BUFFALOED: Much of this story of 20-something debt collectors has

been done before with more mature (or at least older) characters.

Reminiscent of THE BIG SHORT and THE WOLF OF WALL STREET, this is

told with a breathless pacing because the principal characters are

younger and faster.  Released 02/14/20; available on Netflix

streaming and Amazon Prime.  Rating: low +2 (-4 to +4)

THE FORTY-YEAR-OLD VERSION: A black woman playwright who has just

turned forty is trying to get her play produced while earning

enough money to live faces obstacles to her success.  Why are so

many pieces of performance art showing how bad the situation is for

the artist?  This is a look at the obstacles a playwright faces in

getting their work produced.  The material is ripe for humor but

remains a little restrained.  Released 10/09/20; available on

Netflix streaming.  Rating: high +1 (-4 to +4)



TOPIC: A HOLE IN THE SKY by Peter F. Hamilton (copyright 2021,

Tantor Audio, 9 hours 52 minutes, ISBN: 139781705245293, narrated

by Elizabeth Katt) (audiobook review by Joe Karpierz)

Peter F. Hamilton, known for his "wide screen" (no, that's not

something I came up with on my own) space operas, full of dozens of

characters, menacing aliens, multiple viewpoints, and large scale

space battles, and complex plots, has done something completely

different.  He's written a YA novel.  A HOLE IN THE SKY is the

first volume, if you will, in the Arkship Trilogy.  I say "if you

will" because the novel is released in audio form only, and quite

frankly I'm not sure if the term volume still applies, although I

suppose it does.

The fact that it is a YA novel is not the only departure for

Hamilton.  Whereas his other novels are told from multiple

viewpoints, A HOLE IN THE SKY is a first person narrative told in a

linear fashion.  Hamilton is well known for his complex plots

covering multiple characters in different settings.  The characters

and plotlines eventually converge, bringing together everything and

everyone into one climactic and scintillating event that typically

leaves the reader wanting for more.  Not so with A HOLE IN THE SKY.

The novel takes place in the arkship Daedalus.  As with most

generational starship stories, the Daedalus is searching for a new

home after leaving the Earth.  The Daedalus is on its second

search, leaving behind the first world that it found because of

indigenous life forms.  It is thus on a five-hundred-year journey

to its second home.

People in the Daedalus live a very simple life, almost, but not

quite a type of pre-technology life.  And while it's a simple

life, mostly consisting of farming, there is some technology, most

of which is in the control of the law enforcement team, known  as

the Regulators, and the medical team, which has some rudimentary

technology.  The arkship is in this state because some time in the

past there was a rebellion, during which most of the technology was

destroyed.  The captain held off the rebellion, but in the process

uploaded herself into the computer systems to become "the Electric

Captain", who occasionally appears on the video screens in each of

the villages to give announcements and make pronouncements.  The

people who live in the Daedalus live a simple life, looking forward

to the time that they land on their new home.

Because the ship is on what amounts to a second voyage, everything

must be rationed and cycled, which includes the humans themselves.

At the age of 65 (as I remember, I could be wrong at this point),

all humans are cycled for the good of the remaining humans living

on the Daedalus.  Our protagonist, Hazel, a late teenage girl

participating in Cycling Day, is given a message by one of the

Cheaters--those who run away to live past their Cycling Date.  She

is told that the atmosphere is leaking out of the Daedalus, which

is the cause of the headaches everyone is having.  After her

brother suffers an accident that leaves him paralyzed, Hazel and

her brother go off in search of the Cheaters.  While with the

Cheaters she discovers that everything she has been told is a lie,

and that the residents of the Daedalus are in grave danger.

Yes, this is a YA novel.  Yes, this is different from anything

Hamilton has ever done.  But you can see typical Hamilton stuff

within this novel.  Our protagonists are in grave danger from an

alien threat (while this may seem like a spoiler to some, in

reality anyone who had consumed a Hamilton novel knows that alien

threats are the norm).  The Electric Captain is not really on their

side--again, not a surprise for anyone who has read any Hamilton

prior to this.  And while there isn't some "wide screen scope" that

Hamilton readers are used to, there is enough here that reminds the

reader that this is really is a Hamilton novel.

Is it any good?  Well, I think so.  As a rule, I don't read YA

(I've been putting off reading the Alastair Reynolds YA novels, but

A HOLE IN THE SKY may get me started reading those.), but as this

was a Peter F. Hamilton book I couldn't resist giving it a try.

Once I gave it a chance, I did enjoy it. I've been reading a few

reviews from folks saying that they didn't like it because it was

not what they're used to from Hamilton.  You know, that's okay.

You don't have to like every book by an author whose works you

love.  Yes, it's different.  But different doesn't have to mean

it's bad.  And A HOLE IN THE SKY is not bad.  It's actually quite


The other thing that should be discussed is the narrator.

Elizabeth Katt is not John Lee, the usual narrator for Hamilton's

audio books.  But that's okay.  I don't think Lee should have been

the narrator for this YA effort.  Is Katt the right narrator for

this?  She certainly seems to be okay for it.  I definitely had no

problem with her narration.  A different narrator for a different

type of book is certainly called for.  Many of those same reviewers

I mentioned earlier didn't like her narration.  I think it's

because they are used to something else from Hamilton, including

the narrator.  I think it's important to keep an open mind on these

things. In any event, I think both the story and the narrator

worked, at least for me.  I think it will work for most folks if

they just give it a chance.  [-jak]


TOPIC: PIRANESI by Susanna Clarke (copyright 2020, Bloomsbury

Publishing, $27.00, Hardcover, 245pp, ISBN 978-1-63557-563-7) (book

review by Joe Karpierz)

After reviewing a book that was nothing like anything else the

author had ever written (A HOLE IN THE SKY by Peter F. Hamilton), I

must have decided that I wanted to keep a theme going by reading

and reviewing a book that was unlike the previous book by the

author.  While the Peter F. Hamilton has a relatively large back

catalog, Suzanna Clarke does not have a large back catalog.  In

fact, as far as I know, she has only written one previous novel,


nothing like that book.  PIRANESI is short, compact, doesn't have

footnotes, the print isn't so small, but like that previous book,

the story is terrific.

The title character lives in a house that would remind Doctor Who

fans of a TARDIS.  Well, sort of, as we never do see the outside of

the house.  But inside, there are what seem to be endless numbers

of rooms, corridors, halls, and staircases.  There is an ocean

inside the house, which rises and falls as does the tides.  There

are statues.  Hundreds and hundreds of statues.  The house is an

ornately decorated labyrinth.

Piranesi is trapped in the house.  He has no idea how he got there,

nor does he have any idea how to get out.  He sustains himself by

catching fish from the ocean.  The house is the only place he has

ever known.  He lives to explore the house and record what he sees.

He keeps journals, in which he records interesting events.  He does

not use a traditional date system; instead, he'll mark time by

keeping track of those interesting events.  For example, the first

entry in the novel is dated "Entry for the first day of the fifth

month in the year the albatross came to visit the south-western


There is one other person in the house.  In fact, Piranesi calls

him "The Other".  Piranesi and The Other meet twice a week--on

Tuesday and Friday--to perform research into "A Great and Secret

Knowledge".  The Other usually has Piranesi do research for him,

while other times The Other will dismiss whatever Piranesi is

telling him.  The Other is getting frustrated and irritated that he

can not find this knowledge, and sends Piranesi off to try to find

more information for him.  During these explorations, Piranesi

discovers evidence of another living person, something he has not

encountered previously.  As Clarke reveals--and Piranesi learns--

more and more information about the third person, it becomes

apparent that there is something more going on here than meets the


The elevator pitch for the novel is all about the house and the

title character.  I've read articles and listened to podcasts that

talk about the house and Piranesi living there and not much else.

In reality--or is it?--all of that is just the surface of what is

really going on here: an exploration of identity and coping, of

learning to live with who and what you are, being afraid to step

out, and finally being bold enough to do so.

PIRANESI is a strikingly good novel.  While it may not have

everything going for it that JONATHAN STRANGE & MR NORRELL did, it

is complex, intricate, detailed, and interesting.  Ah, but the

question is whether it's Hugo worthy.  I don't know the answer to

that question just yet.  It may or may not be the best of the

finalist list, but it will probably be up there.  [-jak]



MEANING IN AN EVOLVING UNIVERSE by Brian Greene (book review by

Gregory Frederick)

This is another science book by the physicist and author Brian

Greene.  In this latest offering from Greene, he looks into the far

future of the Universe.  This book is full of deep thoughts, ideas,

and philosophy which can be informing and heartbreaking.  It is

also filled with descriptions of the theories of numerous

contemporary thinkers, from Chomsky to Hawking, and inspiring

stories even from Greene's own life.  Greene discusses what maybe

the eventual end to everything in the Universe if the accelerating

expansion rate of the Universe continues as it is today.  In the

far future, for example, humans on Earth may not be able to see any

other galaxy but the one Earth inhabits due to this expansion.  The

author is a good guide for explaining the most recent ideas of

cosmology.  [-gf]


TOPIC: Status Update (comments by Evelyn C. Leeper)

Last week, I wrote, "As noted in a separate email last week, I

broke my other hip last Thursday...  This delayed the MT VOID by a

day, but I am home so everything should be okay now."

Gary McGath wrote:

If you mentioned it here before, I missed it.  In any case, best

wishes now, and I'm glad the medical ordeal wasn't worse.  [-gmg]

I should have been clearer.  I had sent email to the MT VOID

mailing list, but had not posted anything to the other distribution

forums (fora?) such as Usenet, mostly because they had not been

impacted.  (The schedule is to mail the MT VOID on Friday,

including to the N3F distributor, and to post it to Usenet on


Anyway, I'm getting better, but the next real milestone (other than

getting these itchy staples and stitches out!) is to be able to

drive.  Given that my right leg was unaffected, I'm hoping that

will be not too far in the future.  [-ecl]


TOPIC: Status, Smartphones, and Recent Reading (letter of comment

by John Purcell)

In response to various comments in the 05/14/21 issue of the MT

VOID, John Purcell writes:

I am very sorry to hear of Evelyn's hip injury.  It is good that

this time around she appears to be on a faster track to recovery,

and I hope all indeed does go well for her.  Best wishes for a

speedy recovery.

As for smartphones/cell phones/whatever-they're-called-these-days

phones, I keep getting notifications from Apple that I qualify for

a new upgrade to the latest iPhone, but I'm perfectly happy with

the four-year old iPhone 7+ I have.  It has more than enough bells

and whistles to still flummox me from time to time, and frankly, it

has taken me all this time to get it set up exactly how I like it.

Cellphones are still a massive distraction to society, and I find

myself glancing at the news, weather reports, emails, sports

scores, etc., way too much.  There are times when I wish they had

not been invented, but they really do come in handy when you need

to look up directions or make an emergency phone call to your

spouse or one of your grown children.  Welcome to the 21st century!

The rest of this little issue does not really prod other comments

from my brain, but my recent reading has been older fantasy and

science fiction, such as THE WELL OF THE WORLDS (1953) by Henry

Kuttner, THE CROQUET PLAYER (1936) by H. G. Wells, and currently

I'm reading Theodore Sturgeon's 1953 classic MORE THAN HUMAN.  The

only recent publication to cross my eyes was Steven H Silver's

alternative history work AFTER HASTINGS (2020), which was quite

enjoyable.  Any day now I will probably start writing out capsule

reviews of these for another small issue of Askew, but don't hold

your breath on that since Askance #51 is currently under

construction and I want to get that done first.

All in all, thank you for another fine issue, and I look forward to

this coming Friday's version.  [-jp]


TOPIC: This Week's Reading (book comments by Evelyn C. Leeper)

People love Sherlock Holmes.  He's such a great detective.  He

solves cases that baffle Scotland Yard.  But while this is true, if

you look at the total result of his cases, his score is not that


Let's look at just the cases in the first collection (THE

ADVENTURES OF SHERLOCK HOLMES).  In most of these Holmes does

figure out what has happened and who the perpetrator is, but as for

bringing the perpetrator to justice ... well, let's see.

A Scandal in Bohemia: Holmes fails to get the photograph but the

perpetrator agrees not to cause Holmes's client embarrassment.

The Red-Headed League: One of Holmes's few successes, mostly

because he calls Scotland Yard in to help.

A Case of Identity: Holmes discovers the perpetrator but cannot

bring him to justice.

The Boscombe Valley Mystery: Holmes covers up the crime to save the

feelings and reputations of the innocent--but then Watson writes it

up and publishes it, which would seem to negate Holmes's efforts in

that direction!

The Five Orange Pips: The criminals get away.  However, their ship

is apparently sunk in a storm, and the implication is that this

brings some level of justice, ignoring all the innocent passengers

and crew who also died.  (I am reminded of "Alfred Hitchcock

Presents", where the criminal in each story must be punished, so

after he often got away with it, Hitchcock would tag on a line or

two explaining how the criminal was caught after all.)

The Man with the Twisted Lip: Holmes gets Neville St. Clair to

agree to stop begging, but it is not clear that St. Clair can find

a real job to replace it as a source of income.

The Adventure of the Blue Carbuncle: Holmes lets the criminal

escape because he thinks the criminal has learned his lesson.

The Adventure of the Speckled Band: Holmes basically kills the

criminal, or at least causes his death, and explicitly expresses no


The Adventure of the Engineer's Thumb: The criminals escape, and

the engineer is given the consolation of being able to tell his

story at dinner parties.

The Adventure of the Noble Bachelor: The truth is revealed, but

Holmes's client is not satisfied with the result.

The Adventure of the Beryl Coronet: The criminal escapes, and is

unlikely to suffer any consequences, but Holmes seems to gloat that

the criminal's accomplice will be punished, even though she was

deceived into it.

The Adventure of the Copper Beeches: The victim is rescued by

someone other than Holmes and with no help from Holmes.  The

perpetrator is mauled by a dog, but apparently not otherwise


So in a dozen stories, the perpetrator is brought to justice once.

In two ("A Scandal in Bohemia" and "A Case of Identity"), the

crime was specific enough that the criminal is unlikely to repeat

their crime.  In three ("The Boscombe Valley Mystery", "The Five

Orange Pips", and "The Adventure of the Speckled Band"), the

criminals end up dead.  In two ("The Man with the Twisted Lip" and

"The Adventure of the Blue Carbuncle"), Holmes intentionally lets

the criminal escape, and in three ("The Adventure of the Engineer's

Thumb", "The Adventure of the Beryl Coronet", and "The Adventure of

the Copper Beeches"), the criminals escape on their own.  And in

one ("The Adventure of the Noble Bachelor"), there is basically no


This is an interesting contrast to Hercule Poirot, who only once or

twice lets the criminals escape, and that is under very rigid

circumstances.  All other times he is strict about bringing the

criminals to justice, even when he believes it detrimental to

society as a whole.  (He does allow several criminals the option of

suicide when they are caught, as does Miss Marple, and for that

matter, Philip Marlowe.  I guess it's a tradition.)  [-ecl]


                     Mark Leeper

* *

          The fundamental laws necessary for the mathematical

          treatment of a large part of physics and the whole

          of chemistry are thus completely known, and the

          difficulty lies only in the fact that application

          of these laws leads to equations that are too complex

          to be solved.

                                          --Paul Dirac